Showing posts with label love. Show all posts
Showing posts with label love. Show all posts

Wednesday, May 15, 2013

Why We Support Losing Teams—Sports Loyalty


When I was nine I lay in my parent’s bed for days struggling with red measles. Through fever and pain, I vaguely remember mom’s cool hand and wet clothes and clutching a rosary Above all I recall the Kansas City Athletics lose 12 games in a row while listening to my parent’s red bakelite radio. Predictable as humidity in high Missouri summer, the cast offs and mishaps who made up the Athletics plodded to the plate, struck out and erred their way to defeat, again and again and again. They were simply the worst team of their era. I grew up a fan.

The Athletics  built several Yankee championship teams by giving away Art Ditmar, Bobbyy Schantz, Clete Boyer, Roger Maris and others. This team drafted Reggie Jackson, Blue Moon Odum, Dave Duncan, Catfish Hunter and then stole away to Oakland to win championships. This team anchored my identity—my children trace my putative nutsiness to this.

Growing older I met Red Sox and Cubs fans who proudly wore losing. They bragged on their losing. Puffed up with a Nietzschean resentment again the rest of the world, these fans embraced the romance of rooting for the lost cause. Their pain grounded a hopeless chivalry and proudly handed on this legacy to their children. These fans formed a community in adversity and pride born of resentment against the unfairness and inequality of the world. The Athletics, refugees from Philadelphia, offered no glamor and no mystic. They were flat out the worst team of their era with NO REDEEMING FEATURES.


 These memories sadly meld with my support of the hapless Mariners, the second worst team in baseball for the last 4 years lead me to wonder: why do we support losing teams?


I can understand the resentment theory of community by resentment. This resentment flips into a populist hatred for the successful endless winners who are usually unjustly rich or cheaters to boot. It carries some weight and can drive revolutions.


I believe other wider and deeper reasons exist to support losing teams. These reasons answer a common attack on sports fans whom are accused of seeking psychological compensation by participating vicariously with winners. This identification supposedly compensates for brittle male egos and feeds a sense of superiority and domination that encourages arrogance and glorification of dominating the weak. This may apply to Yankee fans. However we who support teams that win and lose or just simply lose demonstrate integrity and loyalty in our loserhood.

Good fans support losing teams from loyalty and identity. Sport loyalty can help anchor or refine a personal self-narrative. Many, like myself, stay connected to their hometown roots or youth through following teams. College teams epitomize how mobile Americans thread links to hometowns or awakening to adulthood. These memories of home or college burn bright by following a team that reignites affiliation through winning and losing, although, honestly, winning feels better.

American immigrants traditionally adopt teams as signal of identifying with their new country. Similarly we can adapt to a new city or location by attending to the local teams. I still consider Kansas City my home teams, but after 25 years root for the Mariners and Seahawks. My children are northwest born and raised and identify with their Seattle teams.

Identity, community, and affiliation augment simple joy for a sport. I like many others will watch a sports game where I have not favorites but watch to enjoy the game.

Rooting for a team, especially a losing team proves to myself I am capable of enduring loyalty and unrequited love. It teaches and models loyalty to our family and friends. I am not referring to the bandwagon and good-times followers, but real fans staying  true through good and bad times.

Staying loyal to a losing team proves our capacity for integrity to ourselves. If not driven by resentment, this commitment to the team reminds us and teaches friends and children that loyalty is not a calculation. Loyalty and community do not grow from cost benefit analyses of value and pain. Loyalty to a team tests and grows our capacity for loyalty (and perhaps masochism). It imparts how love endures though good and bad. This matters even more when it turns out that rooting for a losing team can impact health, I mean really and do I care?!!! 

This type of loyalty and commitment endures through ups and downs of winning and losing of joy and sorrow of exasperation and elation. It proves our capacity for integrity even when we may find it under assault in so many areas of modern life.


Honest fans know that in the end their loyalty resides to a dream of community and its ideals. Every sports team exists as an institutional shell with rotating members who embody a vision of place and sport. The reality of a sport team encompasses flawed humanity and becomes erratic, messier and uglier than the aspiration. Every institution whether country, church, corporation or family exists as this dialogue between reality and possibility.

In the end team loyalty has a spiritual dimension as much tied to the dream of who we are and can be as well as the dream of our connection to our home. Often those hopes get crushed or deferred, but every now and then a glorious moment occurs when it comes so close to the dream’s ideal as to renew faith and commitment when verging on losing its heart.

Like friendship or marriage loyalty to a team obligates a person to stay through good and bad. We reserve the right to criticize and quit and leave but return. I can turn off games in disgust and vow never to care again, but I know, even if the team does not that I will eventually cave and return. Team loyalty is not a one-season stand. Team loyalty elicits loyalty and commitment for good and bad.

Supporting a losing team reminds me of Pascal’s secret, “the heart has reasons the mind does not understand.”

Friday, October 19, 2012

For Love of the Game: The Costner Baseball Movie Trilogy


Just a quick celebration. In 1999 the Tigers beat the Yankees in this fine movie, yesterday they swept them for real in the ACLS!!!

Kevin Costner has made three fine baseball movies. The movies create an accidental but powerful arc covering baseball’s myths and narratives. The trilogy also reinforces a basic truth about the power and limits of sport as a way of life. The collective movies are not only enjoyable—especially Field of Dreams and Bull Durham—but they create a counter-narrative about the personal lived reality of a professional athlete. The movies’ dissection of how a professional athlete’s love of sport threatens their capacity for intimate connection and humanity.

For Love of the Game joins an aging pitching star Billy Chapel in the autumn of his career. The aging vet has just learned that his team, the Detroit Tigers, will be sold, and part of the deal includes his being traded to San Francisco. Billy does not satisfy a cost/benefit analysis for the new owners. Billy has spent his entire career and earned his fame and fortune in Detroit. The night before Billy also learn that his estranged girlfriend Jane Aubrey played by Kelly Preston will not reconcile. Recalling an earlier point she made, “You're perfect. You, and the ball, and the diamond, you're this perfectly beautiful thing…You don't need me.”

The next morning dejected and hung over Chapel heads for the ballpark to pitch and must decide about the trade before the game is over. The movie braids his nine innings with his troubled relationship with Jane. The movie unfolds one inning at a time playing in a raucous and hostile Yankee Stadium building to an improbably perfect game opportunity as the scuffed and awkward story of Billy’s adult personal life plaits between innings.

The movie moves slowly. It possesses neither the self-conscious mythologizing of Field of Dreams not the iconoclasm or humor of Bull Durham. Its stately progression led some reviewers to find it boring, and it remains the least favorite of the trilogy. I believe it is undervalued and feels true to baseball and the themes of the first two movies.
The first them unfolds touching  on the the harsh reality and discipline of an aging athlete, an aging star  facing mortality. In one conceit Costner starts each pitch with a mental imperative “clear the mechanism." When he does this the jeering Yankee fans (is there any other kind?), the scoreboard, even his own teammates recede, and he channels his presence and skill. The moment captures the experience athletes or any high achieving professional recount when they arrive at “flow.” Their practice, focus and situational awareness allow them to deploy their skills where the conscious and unconscious blend into a smooth inner consistency and quality. When it fails him in the movie, we know that he has reached his own limits.
The second theme unfolds in the awkward, tenuous and sometimes touching relationship between Billy and a cautious and burned single mother Jane Aubrey and her daughter Jena Malone as Heather. They meet when Billy saves her from a flat tire and ends up taking her to a baseball game against her will.
She points out, “I need a regular guy, not the guy in the Old Spice commercial.” Missing her irony and metaphor completely, Billy reminds her he was in the Right Guard commercial. Jane usually feels like a fish out of water being with a star athlete of a game she knows nothing about among wives and groupies she shares little with. Yet Costner and she stumble into a kind of intimacy and mutual joy. Costner passes the test so many men fail when they meet single moms. He actually enjoys the “family” feeling and likes being a clumsy, almost, sometimes dad.
Chapel grows to enjoy their world together. But both sides remain so wounded and protected that they agree to a “man’s deal” where they can see other people. Of course Jane does not see anyone else, but Costner reminding us of the man-child (a grown up Nuke LaLoosh from Bull Durham?) lurking in so many athletes sleeps with his masseuse. “What about the deal!” he asks when Jane surprises him only to be be shocked by seeing a scrambling nubile half dressed masseuse.
Jane wants more from the relationships, more than Billy has given to anything except baseball. When she asks him “have you ever had your heart broken?” “Yeah, he replies, “when we lost the pennant in ‘87.” She comes to believe he can never commit to love because he is perfect with his ball and game. Perfect on the perfect baseball diamond so enshrined in Field of Dreams. Billy resembles many athletes and high performing professionals. They feel so in command and at home in their professional world that this lures them into a belief in its own moral and emotional self-sufficiency.
The movie’s turning point occurs when Billy badly cuts his hand and is told by doctors and the team he is finished. His entire career is in jeopardy. He dreads the loss purpose and withdraws from the relationship to focus obsessively on rehabilitation.
Jane realizes that his identity and love lie with the game, not with her. Losing the game shatters his sense of worth and willingness to love. The love of the game undermines his love of her.
His terror at the loss lies not just in its threat to his self-worth but it reminds him that a professional athlete remains a depreciating asset and no more despite the headlines and hero worship. As long as his skill returns a reasonable benefit for its cost, he will be retained. Bull Durham and Love of the Game, however, make clear, every player lives pursued by younger, hotter and better players seeking to take his place. Every athlete is replaceable.
Billy’s friend and mentor, the old owner of the Tigers, sees the trade to the Giants as a chance to leave with dignity. Billy can retire before the trade occurs at the end of the game. The owner does not want Billy traded and devalued into a painful eclipse that so many fading stars experience. At the end Billy takes the owners advice after reflecting on his life and writes on a baseball that he is leaving "for love of the game."
The three movies unite in their insistence upon the priority of humanity to the allure of sport.
At the end of Field of Dreams, Moonbeam Graham achieves his dream of playing with the greatest players of his time. He loves and glories in it, but when a little girl’s life is threatened by choking on a hot dog, he steps back across the line to rejoin his life as a country doctor. He saves the girl and looks back at his moment with the players with satisfaction but not regret. In Bull Durham Crash Davis plays out his minor league career and sets the minor league home run record. He ends his playing career to begin as a coach. But he returns to Annie where two shopworn but authentic people try to create a life together.
Billy Chapel pitches a perfect game to cap his career. Jane has seen it while waiting for a delayed flight at the airport. He beats the New York Yankees. The game makes clear as all “perfect” games do how critical his teammates are to the achievement. He achieves the pinnacle and at this moment retires.For an ancient Greek this would be the moment to die, at the perfect peak, the moment from which his career can only be downhill. But alone at night, alone at night in his luxurious hotel suite, he cries. He meets Jane at the airport before she leaves and reveals the key truth any professional athlete faces when they sacrifice their personal life for their professional life,
I believe that if you give something your all it doesn't matter if you win or lose, as long as you've risked everything put everything out there…I did it my entire life. I did it with the game. But I never did it with you, I never gave you that….well last night should've been the biggest night of my life, and it wasn't. It wasn't because you weren't there.
Baseball, achievement, sport, profession, even perfection in all its cold beauty cannot maintain intimacy, connection or purpose. The magnificence of achievement and a perfect moment linger but a second. For Love of the Game completes the theme of Field of Dreams and Bull Durham. Sports can be a great and hard profession, even a way of life, but in the end, athletics will not complete a person’s humanity.
The trilogy insists that sports, even baseball, remains a game, just a game. While sport, like all professions, tempts people to confuse it with life, life involves more and wise people learn this.

Thursday, June 10, 2010

Love and Basketball: John Wooden as Coach

I don't have any more accolades to add to those being heaped upon John Wooden at his death at the age of 99. I did have the pleasure of growing up watching his teams play and having his style of play and coaching imprinted upon me as an ideal to be sought and admired. But more important for me and some students, I teach his books, especially his biography/coaching manuel They Call Me Coach.

The book always startles my students who aspire to become coaches. At first they get impatient because he really tells a love story between him and his wife Nellie from Indiana. His growth as a hard working midwestern country boy weaves through the love story and ties in his discovery and love of basketball. His earliest high school coaches taught him how to grow but also deal with failure and success.

The students wonder why they are reading about this story that seems so far away. Young basketball players have no clue about him, and very few students have heard his name. But slowly its power holds sway as he discusses various coaching and playing styles he assimilated as well as how he strove to create a balance with family, Nellie and basketball. He was lucky because his passion for Nellie matched, nourished and renewed his passion for basketball. His first lesson for my students is that love matters in life and you need to work hard to find, nurture and respect it.

After establishing that loving centers living, he discusses coaching and the cumulative impact of his championship teams. He speaks of the roots of his conditioning and defensive philosophies. He speaks at length about the need to adapt to the talent you have and how his teams evolved in light of his various teams and players especially Lew Alicinder/Kareem Abdul-Jabaar and Bill Walton.

In modern America we don't normally associate coaching with love. Too many of us have memories of psycho-dads screaming and demanding as coaches or spectators. The indelible image of Vince Lombardi and win at any price and Woody Hayes attacking players at the end of his career tend to erase the deeper more lasting reality that many great coaches and Wooden excelled them all, coach from and through love.

The biography reveals the second love, love of the game. He revels in exlpaining how much he learned from others. The book is not about X's and O's, but he reveals a deep curiosity and sheer joy in discovering a complex zone defense, adapting it to his players and other teams and integrating conditioning and quickness into a philosophy of play. His stories reveal how the losses linger and at the end of each season and beginning of each he sets goals that infuse what he does. The game and its intricacies always remain with him with his fine mind mulling, thinking, inventing. The point of the game is love of the game.

But the most important love for a coach is love of his players. I don't mean love in a sort of dry agape way that thins out because it encompasses everyone; I certainly don't mean love in an erotic or homoerotic channeling towards players. No I mean an abiding care, a rock bottom emotional commitment to the player and team as individuals. This care, this emotional focus upon the person seeks the best for that person. It has a family resemblance to parenting, but without the sometimes twisted variations or self-identifying that can infuse parental love. Abdul-Jabaar said "he was preparing us for life." His players often mentioned they knew he cared for them even if they fought him, and his lessons only really sank in later. The truest test of a coach and teacher is if students return to meet with him, and his players constantly returned.

Wooden was not a nice coach. He makes that clear. He rode referees and players (something he truly regreted later). His coaching style demanded an immense commitment from student athletes. Essentially it demanded that individuals meld or subordinate their talent to a team concept. His most interesting stories and the ones he clearly values and relishes are discussing how players like Sidney Wicks and Bill Walton fought with him and worked with him to grow into superb players. Over some issues, it was simply "my way or the highway." Wooden also makes clear he learns from them. He demanded that players earn respect but gave them love. He may not like them but gave them love, and they knew it as a rock bottom reality to their lives.

This mutual learning never sacrifices his authority, but it grows from his love of the players. He knew them, watched them, demanded of them. His intimate knowledge of them coupled with his vision of whom they could become enabled him to match their talents to the evolving system.  Even when one would quit, he always gave them second chances because once long ago, and he never forgot, he had quit a team out of anger at perceived injustice. His own high school coach let him back and Coach Wooden believed that loving a player required room for players to redeem themselves.

I sometimes think his idea of love can only flourish at high school and college. Something about the nature of professional sports, of the contractual nature, the money, the self-protective brutality of the sport to both its players and its coaches--in most sports it is cheaper to fire a coach than a star player, makes the type of patient, demanding, forgiving love that Wooden exemplified, impossible.

Wooden's testament, as he insisted, has never been the trophies or the unexcelled record of 10 NCAA championships. It remains the quality of people his players became. Wooden did not walk in the sands of time with footsteps that blow away. He helped boys grow into men, and those men helped their own children grow into adults. Even today his books help me help others grow into coaches. Certainly that is love at its best.