Just a quick celebration. In 1999 the Tigers beat the Yankees in this fine movie, yesterday they swept them for real in the ACLS!!!
Kevin Costner has made three
fine baseball movies. The movies create an accidental but powerful arc covering
baseball’s myths and narratives. The trilogy also reinforces a basic truth
about the power and limits of sport as a way of life. The collective movies are
not only enjoyable—especially Field of Dreams and Bull Durham—but they create a counter-narrative about the personal lived
reality of a professional athlete. The movies’ dissection of how a professional
athlete’s love of sport threatens their capacity for intimate connection and humanity.
For Love of the Game joins an
aging pitching star Billy Chapel in the autumn of his career. The aging vet has just
learned that his team, the Detroit Tigers, will be sold, and part of the deal
includes his being traded to San Francisco. Billy does not satisfy a
cost/benefit analysis for the new owners. Billy has spent his entire career and
earned his fame and fortune in Detroit. The night before Billy also learn that
his estranged girlfriend Jane Aubrey played by Kelly Preston will not reconcile. Recalling an earlier point she made, “You're
perfect. You, and the ball, and the diamond, you're this perfectly beautiful
thing…You don't need me.”
The
next morning dejected and hung over Chapel heads for the ballpark to pitch and
must decide about the trade before the game is over. The movie braids his nine
innings with his troubled relationship with Jane. The movie unfolds one inning
at a time playing in a raucous and hostile Yankee Stadium building to an improbably perfect game opportunity as the scuffed and
awkward story of Billy’s adult personal life plaits between innings.
The movie moves slowly. It possesses neither the self-conscious
mythologizing of Field of Dreams not
the iconoclasm or humor of Bull Durham.
Its stately progression led some reviewers to find it boring,
and it remains the least favorite of the trilogy. I believe it is undervalued and feels true to baseball and the themes of the first two movies.
The first them unfolds touching on the the harsh reality and discipline of an aging athlete, an aging star facing mortality. In one conceit Costner starts each pitch with a mental imperative
“clear the mechanism." When he does this the jeering Yankee fans (is there any other kind?), the
scoreboard, even his own teammates recede, and he channels his presence and
skill. The moment captures the experience athletes or any high achieving
professional recount when they arrive at “flow.” Their practice, focus and
situational awareness allow them to deploy their skills where the conscious and
unconscious blend into a smooth inner consistency and quality. When it fails him in the movie, we know that he has reached his own limits.
The second theme unfolds in the awkward, tenuous and sometimes touching
relationship between Billy and a cautious and burned single mother Jane Aubrey and her daughter
Jena Malone as Heather. They meet when Billy saves her from a flat tire and
ends up taking her to a baseball game against her will.
She points out, “I need a regular guy, not the guy in the Old Spice commercial.” Missing her irony
and metaphor completely, Billy reminds her he was in the Right Guard commercial. Jane usually feels like a fish out of water
being with a star athlete of a game she knows nothing about among wives and
groupies she shares little with. Yet Costner and she stumble into a kind of
intimacy and mutual joy. Costner passes the test so many men fail when they
meet single moms. He actually enjoys the “family” feeling and likes being a clumsy,
almost, sometimes dad.
Chapel grows to enjoy their world together. But both sides remain so
wounded and protected that they agree to a “man’s deal” where they can see
other people. Of course Jane does not see anyone else, but Costner reminding us
of the man-child (a grown up Nuke LaLoosh from Bull Durham?) lurking in so many athletes sleeps with his masseuse. “What
about the deal!” he asks when Jane surprises him only to be be shocked by seeing a
scrambling nubile half dressed masseuse.
Jane wants more from the relationships, more than Billy has given to
anything except baseball. When she asks him “have you ever had your heart
broken?” “Yeah, he replies, “when we lost the pennant in ‘87.” She comes to
believe he can never commit to love because he is perfect with his ball and
game. Perfect on the perfect baseball diamond so enshrined in Field of Dreams.
Billy resembles many athletes and high performing professionals. They feel so
in command and at home in their professional world that this lures them into a
belief in its own moral and emotional self-sufficiency.
The movie’s turning point occurs when Billy badly cuts his hand and is
told by doctors and the team he is finished. His entire career is in jeopardy. He
dreads the loss purpose and withdraws from the relationship to focus obsessively on rehabilitation.
Jane realizes that his identity and love lie with the game, not with her.
Losing the game shatters his sense of worth and willingness to love. The love
of the game undermines his love of her.
His terror at the loss lies not just in its threat to his self-worth but
it reminds him that a professional athlete remains a depreciating asset and no
more despite the headlines and hero worship. As long as his skill returns a
reasonable benefit for its cost, he will be retained. Bull Durham and Love of the
Game, however, make clear, every
player lives pursued by younger, hotter and better players seeking to take his
place. Every athlete is replaceable.
Billy’s friend and mentor, the old owner of the Tigers, sees the trade to
the Giants as a chance to leave with dignity. Billy can retire before the trade
occurs at the end of the game. The owner does not want Billy traded and
devalued into a painful eclipse that so many fading stars experience. At the end Billy takes the owners advice after reflecting on his life and writes on a baseball that he is leaving "for love of the game."
The three movies unite in their insistence upon the priority of humanity
to the allure of sport.
At the end of Field of Dreams,
Moonbeam Graham achieves his dream of playing with the greatest players of his
time. He loves and glories in it, but when a little girl’s life is threatened
by choking on a hot dog, he steps back across the line to rejoin his life as a country
doctor. He saves the girl and looks back at his moment with the players with satisfaction
but not regret. In Bull Durham Crash
Davis plays out his minor league career and sets the minor league home run
record. He ends his playing career to begin as a coach. But he returns to Annie
where two shopworn but authentic people try to create a life together.
Billy Chapel pitches a perfect game to cap his career. Jane has seen it
while waiting for a delayed flight at the airport. He beats the New York Yankees. The game makes clear as all
“perfect” games do how critical his teammates are to the achievement. He achieves
the pinnacle and at this moment retires.For an ancient Greek this would be the moment to die, at the perfect
peak, the moment from which his career can only be downhill. But alone at
night, alone at night in his luxurious hotel suite, he cries. He meets Jane at
the airport before she leaves and reveals the key truth any professional
athlete faces when they sacrifice their personal life for their professional
life,
I believe that if you give something your all it doesn't matter
if you win or lose, as long as you've risked everything put everything out
there…I did it my entire life. I did it with the game. But I never did it with
you, I never gave you that….well last night should've been the biggest night of
my life, and it wasn't. It wasn't because you weren't there.
Baseball, achievement, sport, profession, even perfection in all its
cold beauty cannot maintain intimacy, connection or purpose. The magnificence of
achievement and a perfect moment linger but a second. For Love of the Game completes the theme of Field of Dreams and Bull
Durham. Sports can be a great and hard profession, even a way of life, but
in the end, athletics will not complete a person’s humanity.
The trilogy insists that sports, even baseball, remains a game, just a game. While sport, like
all professions, tempts people to confuse it with life, life involves more and
wise people learn this.
Billy didnt save Jane from a flat tire, her car wouldnt start due to a loose wire on the distributor cap.
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